She Risked Her Voice to Become a Mother

5 de abril de 2026 · 39m

Lise Davidsen is one of the greatest opera singers of our time — a soprano with a voice so rare, critics reach back a century for comparison. This spring, she has been starring in a sold-out new production of Wagner’s “Tristan und Isolde” at the Metropolitan Opera. But she’s also at a crossroads: Her first performance as “Isolde” on the Met stage came just nine months after giving birth to twins.

Today on The Sunday Daily, Natalie Kitroeff talks with the Times writer Zachary Woolfe about his recent conversation with Davidsen, and the unexpected emotional weight she felt while returning to the stage as a new mother. They discuss how a production centered on birth, death and renewal gave Davidsen a way to work through this seismic shift in her life, all while tackling the role of a lifetime.

On Today’s Episode:

Zachary Woolfe is a writer and editor for The New York Times.

Background Reading:

With Twin Babies, the Opera Star Lise Davidsen Wonders What Comes Next

The Met Opera’s Desperate Hunt for Money

Photo credit: Amir Hamja for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.


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She Risked Her Voice to Become a Mother

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